McKee's Wall
THE PROCESS
AS IT IS
AS IT CAN BE
These four drawings analyze the park from the experiential standpoint both “As it is” and “As it can be”. The top two lifeless drawings show McKee Park in its current condition, while the bottom two drawings, taken from the Noxubee Wildlife Refuge, show the potential experiential and textural qualities the park could have.
FUNCTIONAL DIAGRAMS - ITERATION 1
The first pass at possible organizations for the park based on function, movement, connectivity, program requirements, and opportunities.
FUNCTIONAL DIAGRAMS - ITERATION 2
THE SOLUTION
The final masterplan for McKee Park (renamed McKee’s Wall for the piercing graffiti wall effectively splitting the entire site. With the scattered art points, the intent is for the park to also become a space to discover and feel curious. Much of the exiting parking remains, with modifications. The vegetation and tree cover are designed to create enclosures and boundaries in the different environments. To enable the naturalization, multiple different types of spaces are created ranging from grasslands to wild grass, manufactured lawns, and untouchable zones. The goal is to take all the ideas, principles, programs, spaces, and environments and create synthesis and cohesion - a semi-passive art park.
The Enlarged Plan takes a section of the park’s central core to begin illustrating texture, materiality, scale, and movement. The only fully manicured lawn is the perfect central circle, an homage to the standardization of “perfect” landscapes at the heart of our preconceptions and preferences. This central core is the meeting point of all textures and places - the meeting point of grasslands, plazas, pavers, and play. To diversify the water’s edge condition, areas designated for safe interaction occur along the primary plaza’s edge while naturalized conditions speckle the waterway on the core’s North & South. At very special moments, a linear arrangement of trees creates a corridor for visitors to pass through, with the terminations resulting in spectacular views. Following the shape of the waterway, a collection of shade structures create one boundary to enclose the plaza — under which swinging benches give a familiar character to Mississippi residents. To prevent blocking desirable views of water and land beyond, the western plaza seating remains short, but follows the predominant form and language.
From the enlarged plan, a focus model for one interaction within the plaza further illustrates the form of McKee’s core, as well as the balance of contemporary to traditional park design.
To prevent just a ground plane, this section provides depth and dimension to the 2D plans above. Lacking significant natural grade change, the use of planters, elevated structures, and the water’s edge condition provide vertical movement and enclosure, not just horizontal.
The perspective above illustrates the art wall piercing the entire park, uninfluenced by changes in grade, vegetation, or location. The philosophy of the art wall is a controversial approach to park maintenance and protection. With vandalism and damage inevitable with any structure, the idea is if we provide a designated component that users can freely paint, damage, and vandalize without retribution, it will then protect the surrounding park. Why face lasting consequences when you have been given the opportunity to express your destructive side free from retribution?
FINAL MODEL IMAGES
The model images for this small piece of the core illustrate the dimensionality and scale of forms, textures, materials, and vegetation in relation to the human figure as well as the changes in elevation from the plaza up to the elevated lawn.
GULF COAST URBANISM
RENDERINGS
Scattered throughout the development are nodes or points where sculptures with a cohesive typology are proposed - visible in the Master Plan as maroon circles. For the purposes of representation, a Richard Serra style sculpture is visible in Rendering 1. The intent is to create an art-scape unique to this development that offers a magnificent sculpture for people to interact with and enjoy on a daily basis, creating a sense of unity in the community.
CAMPUS DISSOLVE
NORTH
The connectivity of buildings, pathways, texture, greenery, and the creation of outdoor urban spaces are the focal points of this project. The process began by drawing lines between building entrances to determine pathways. From there, building typology determines the size of the walkways. From this diagram, a pattern emerged, but to soften the already hard building edges, the paths create circular spaces of various use - outdoor lawn areas, gravel seating areas, amphitheater spaces, or bioretention areas for site water drainage.
RENDERINGS
The large stone pavers are designed to allow water to flow between them while creating a texture that dissolves into the greenspaces. This idea provides fluidity and softness to an otherwise stagnant development.
SITE SECTIONS